Sara Pedigo
St. Augustine, Florida (USA)



My work explores the notion, that the very nature of painting is based, to some extent, in the creation of fictional realities. With this statement as a starting point, I use photographic references to create representational paintings that edit, embellish and alter existing information to create new images. My paintings use coloration, mark and texture to create worlds that are both out of the ordinary and based in the familiar. These painted moments can mix timelines, create hybrid places, and allow moments to exist that could not happened otherwise. Painterly marks create visual noise that overlap foreground and background information and promote the sense of an altered atmosphere. My childhood can become part of my mothers’ or grandmothers’; our lives become fluid and are allowed to mix through the act of painting. My interest in making these works comes from a desire to extend the relationships that I feel when viewing photographs of my family. Photography and death are often linked with one another, and my artwork further explores this association. The author David Eagleman describes death as occurring in three stages: “The first is when the body ceases to function. The second is when the body is consigned to the grave. The third is that moment, sometime in the future, when your name is spoken for the last time.” These paintings attempt to delay that final moment by visually “speaking” the names of those relatives and their lives again. The resulting works create enigmatic moments that are formed by constructing new possibilities for events, and often individuals, that have ceased to exist. My incessant need to prolong these lives through painting is in no doubt related to the loss of my parents. However, it can also be related to a growing cultural interest in ancestry and the pull to feel a connection with the past even if it is based in fiction.



 


 


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